Despite such differences, the album as a whole locates itself at the intersection of various musics: it's neither free jazz, noise, improv, nor electronica but rather some raw, electroacoustic hybrid of all four. While there are aggressive pieces (the opener “Minus Degrees, Bare Feet, Tickles” is one particularly hellacious example, though “Des Abends” isn't far behind in that department), there are contrasts too, with each of its eight tracks exploring slightly different territory. ![]() ![]() Recorded in one week at the former Radio Yugoslavia studios in Belgrade and then mixed and produced by Ripatti himself, the album covers a good range of stylistic ground and proves to be all the more satisfying for doing so. Vladislav Delay Quartet: Vladislav Delay Quartetįresh from his percussive contributions to the recent Moritz Von Oswald Trio recording Horizontal Structures, Finnish producer Sasu Ripatti (aka Vladislav Delay, Luomo, Sistol, Uusitalo) presents what might be his most challenging project to date, one that sees him operating as a drummer and percussionist in concert with double bassist Derek Shirley, bass clarinetist/saxophonist Lucio Capece, and one-time Pan Sonic member Mika Vainio on electronics and live processing.
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